Daneshwar de Sushon is independent and has not reached Namibia Phone Number out to foreign effects to tell stories. It is not like the beginners of copywriting, nor has it fallen into the trap of creating abstract spaces for storytelling. Even the flower and the tree in Souchon's novel have the nature of "fictional objects"; They are an integral part of the narrative, they are in their place, not because the story takes place in Shiraz, but because they should make Zari better known to us. The same is true of Zinger's sewing machine.
Aunt's opium bed, Khosrow's horse (which, apart from being symbolic, is both a character and a fictional object, and for this reason Daneshvar did not fall from the roof). And as for the issue of the Iranian novel: what makes the consistency of Sushun, in addition to relying on the myth and the understanding of the time and the author's penmanship, is the honorable view of history. Daneshvar is not just a narrator to mix some historical events and give it to the audience with a story structure. conscience that sees history in its true sense and not as a series of events in the past.